{"id":1734,"date":"2026-09-01T08:42:04","date_gmt":"2026-09-01T08:42:04","guid":{"rendered":"https:\/\/www.giordana.eu\/site\/hatebreed\/?page_id=1734"},"modified":"2026-09-16T17:35:03","modified_gmt":"2026-09-16T17:35:03","slug":"2026-november","status":"publish","type":"page","link":"https:\/\/www.giordana.eu\/site\/hatebreed\/","title":{"rendered":"2026 November"},"content":{"rendered":"\n
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Greetings to the Hatebreed\u2019s European Tour 2026! Looking forward to working with you!
This website should answer a lot of questions you have about us and what we need. Please follow up with any questions or details you may have.
After reading the hospitality rider and the technical rider, please send us a follow up email indicating the you have received and understood these requirements, along with a copy of the maps parking info, full technical specs and contact list for your venue\/festival.<\/p>\n\n\n\n

Thanks.<\/p>\n\n\n\n

Marcus Schlumpf | Tour Manager<\/sub>
MarcusSchlumpf@web.de<\/sup><\/p>\n\n\n\n

Last Update 07.09.2026<\/sub><\/p>\n\n\n\n

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Info Needed<\/h4>\n<\/div>\n\n\n\n
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Please send over the following documents:<\/p>\n\n\n\n

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Venue\/Festival Address<\/p>\n\n\n\n

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Please include event location address, parking info and maps.<\/p>\n\n\n\n

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Venue\/Festival Tech Specs<\/p>\n\n\n\n

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Please include all audio, lighting, video, staging and relevant production specs for our stage.<\/p>\n\n\n\n

Include load in door ways height and width.<\/p>\n\n\n\n

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Venue\/Festival Contact List<\/p>\n\n\n\n

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Please include contacts for audio, lighting, video, staging, backline, stage manager and any other relevant contacts involved in producing this show.<\/p>\n\n\n\n

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Communications<\/p>\n\n\n\n

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Please include contacts for audio, lighting, video, staging, backline, stage manager and any other relevant contacts involved in producing this show.<\/p>\n\n\n\n

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Hatebreed<\/h4>\n<\/div>\n\n\n\n
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Travelparty<\/p>\n\n\n\n

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We are an entourage of 16 persons.<\/p>\n\n\n\n

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Transportation <\/p>\n\n\n\n

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We travel with:
\u2013 One Nightliner with trailer (ca. L:18m \/ H: 4m \/ W: 2.7m)

\u2013 One 12t truck – Loading dock access needed. (ca. L:8m \/ H:4m \/ W: 3m) \/<\/p>\n\n\n\n

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Parking and Venue\/Festival Address<\/p>\n\n\n\n

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Please include event location address, parking info and maps.<\/p>\n\n\n\n

We travel with:
\u2013 One Nightliner with trailer (ca. L:18m \/ H: 4m \/ W: 2.7m)
Bus Reg.: KLE MW 928
Trailer Reg.: KLE MW 929
Driver: Peer Poersch
Email: bustobogota@gmail.com – Mobile: + 49 152 2133 7305

\u2013 One 12t truck – Loading dock access needed. (ca. L:8m \/ H:4m \/ W: 3m) \/
Details tba<\/p>\n\n\n\n

Parking for one double-decker bus must be provided from the night before the show until the morning after.
32 Amp power is required at the parking from early morning of show day until departure.
Truck needs to be parked at loading dock from arrival till load-out is finished. 16 Amp power (German Schuko) is required at the parking.<\/p>\n\n\n\n

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Venue\/Festival Tech Specs<\/p>\n\n\n\n

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Please include all audio, lighting, video, staging and relevant production specs for our stage.<\/p>\n\n\n\n

Include load in door ways height and width<\/strong>.<\/p>\n\n\n\n

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Venue\/Festival Contact List<\/p>\n\n\n\n

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Please include contacts for all audio, lighting, video, staging, backline, Production Manager, Stage Manager and any other relevant contacts involved in producing this show.<\/p>\n\n\n\n

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Communications<\/p>\n\n\n\n

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Let us know everything we need to know about the day of the show. Sound curfew, dB limit, crossload, wireless frequencies, merchandising conditions \u2026<\/p>\n\n\n\n

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Personnel<\/p>\n\n\n\n

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We required:
1 x Monitor Engineer, to be present from Load in until the end of the Show.
1 x PA \/ FOH System engineer, able to configure and troubleshoot the house desk and system, to be present from Load in until the end of the Show.
1 x Competent electrician (on standby) with full knowledge of and access to the venue \u0301s electricity system.
1 x House LD
5 x Stagehands to be present for load in, set up, during the changeover(s) and load out.
Additional Note: Stage Hands should be booked as stage hands and remain in this function. We need the house technicians to stay and collaborate in their destined functions.<\/p>\n\n\n\n

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Safety and Security<\/p>\n\n\n\n

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Mojo Crash barriers in front of stage including security personnel (at least 2 experienced persons, who know how to handle and take gently care of an audience at this type of music.)
The FOH has to be protected by Mojo type barriers on ALL sides.
All cables leading from the stage to the FOH are to be protected by \u201cyellow jacket\u201d style cable protector bridges.<\/p>\n\n\n\n

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Timeframes (Proposed)<\/p>\n\n\n\n

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We need at least 5 hours before change over time.
However, the following are the necessary minimun timeframes needed to ensure the best show possible:<\/p>\n\n\n\n

~1 hour: Load In
4 hours: Crew set, backline build, riser build, restring guitars\/basses \u2026
1-2 hours: Audio system tuning and Line Check
60 min: Soundcheck
30 min: Changeover
1-2 hours: Load Out<\/p>\n\n\n\n

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Streaming \/ Recordings<\/p>\n\n\n\n

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NO AUDIO\/VIDEO RECORDINGS AND BROADCASTING ALLOWED! <\/strong>
Unless stated otherwise.<\/p>\n\n\n\n

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We are Carrying<\/p>\n\n\n\n

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Backline
FOH Audio Console.
Lighting console.
Scenography.
Backdrop.
Merchandise.<\/p>\n\n\n\n

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We are not Carrying<\/p>\n\n\n\n

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PA
Monitor Console
Monitors\/Wedges
Stands and cables.
Lights
Drum Riser \/ risers.
Staging
Barricade
Stagehands
Competent electrician (on standby)
Security
First Aid<\/p>\n\n\n\n

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Front Of House Desks<\/p>\n\n\n\n

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We are carrying our own FOH audio desk, Midas HD96 with two Midas DL151 and FOH lighting console, Chamsys MQ500+.<\/p>\n\n\n\n

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House Multicore<\/p>\n\n\n\n

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Category cables must be in good working condition. <\/mark><\/strong>

Audio<\/strong>:
We need two Multimode fiber optic cable OM4 with etherCON connectors not longer than 500m (1640 feet).
Or we need three<\/strong> Category 5e\/6a STP (plus one spare) not longer than 100 m (320 feet).
No category cable type UTP please.
STP with ethercon connectors.

Cat 7 <\/strong>and Cat 8 <\/strong>are generally not recommended in general because their non-standardized high speeds and thick connectors can cause impedance mismatches and data drops over standard audio feed-throughs.<\/mark>

NO black etherCON connectors.<\/strong><\/mark><\/p>\n\n\n\n

Lighting<\/strong>:
One Category cable.<\/p>\n\n\n\n

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Analog Lines<\/p>\n\n\n\n

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Three analog lines are required between the lighting console at FOH and audio console at MON positions:
1x XLR for the lighting technician’s microphone.
2x XLR for the lighting technician’s IEM feed.<\/p>\n\n\n\n

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Power Required<\/p>\n\n\n\n

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All electrical connections have to be compliant with all local regulations.
We need a tie line for an isolated ground power source.
Audio\/Backline<\/strong> : 32A CEE, 3 Phase. Stage Left.
A different circuit for Lighting.
Lighting<\/strong> : 63A CEE. 3 Phase. Stage Right.
If only Single Phase, a Generator and feeder must be supplied.
Tour bus:<\/strong> 32A CEE power is required.
12t truck:<\/strong> AC box 220V (Schuko, German standard).<\/p>\n\n\n\n

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Merchandise<\/p>\n\n\n\n

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We travel with merchandise and own vendor.
We need a clean and well lit area with available power outlets or provide AC box 230V, (Schuko, German standard).
We have two display boards to lean against a wall but we need a few tables. We would need also two chairs, please.
Anything we need to know about your merchandising conditions in your venue can be directed to the tour manager in advance.<\/p>\n\n\n\n

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General Remarks<\/p>\n\n\n\n

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Master of Ceremonies:<\/strong> No emcee before or after the show.<\/p>\n\n\n\n

First Aid:<\/strong> House\/promoter has to provide sufficient and qualified first aid personnel for the show.<\/p>\n\n\n\n

Security:<\/strong> Please provide an adequate number of reliable security staff.<\/p>\n\n\n\n

Camera policy:<\/strong> First 3 songs from the pit. No flash.
No Photographers on-stage access.
Absolutely no video.

Waste Containers:<\/strong> Please provide two waste containers able to hold water on stage Left and Right.<\/p>\n\n\n\n

Please, coffee and water ready at get in.<\/p>\n\n\n\n

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Thanks<\/p>\n\n\n\n

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Thank you in advance for the attention and for reading this carefully! Don\u2018t hesitate to contact us in case there is any questions or problems!!<\/p>\n\n\n\n

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HOSPITALITY RIDER<\/strong><\/p>\n<\/div>\n\n\n\n

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TM MARCUS SCHLUMPF<\/p>\n\n\n\n

Cell: +49(0)172 90 13 180
Email: MarcusSchlumpf@web.de<\/p>\n\n\n\n

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Backstage Dressing Rooms<\/p>\n<\/div>\n\n\n\n

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Please provide clean secure DRESSING ROOM(s) with:
Comfortable seating for 16 people,1 full length mirror,private bathroom, at least one large table,microwave,coffee,refrigeration for all perishable items, cups, plates,,cutlery, paper towels, cork screw, one large trash receptable and clean ice for drinks. Please keep all drinks on ice!<\/p>\n\n\n\n

25 full size bath\/shower towels,15 medium stage towels-available to TM at Get In.
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Meals, Food and Drinks<\/p>\n<\/div>\n\n\n\n

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We are an entourage of 16 persons:
– 3 (three) vegetarian meals. INCLUDING 1 with Gluten intolerance.<\/mark>
– 2 (two) pescetarians.
– 2 (two) vegans.
– 9 meat eaters.<\/p>\n\n\n\n

Meals:
– Crew Lunch:
Get in catering must consist Hot Meals by one hour prior to load in time!

-Dinner:
– 9 hot meals for dinner consisting of meat or poultry, vegetables, pasta or potatoes, salad and bread
– 2 (two) pescetarian meals (Yes, FISH meals. Just another vegetarian option would NOT replace the fish and won\u2019t be accepted.)
– 3 (three) vegetarian meals. INCLUDING 1 with Gluten intolerance.
– 2 (two) vegan meal.

-16x After Show Meals_TBD day of show

\u2013 OR-
15 x 20 \u20ac Dinner buyouts or local currency equivalent to be paid to TM at Load In.<\/s><\/p>\n\n\n\n

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DRESSING ROOM Items to be available by Get In:
1 Pound of Coffee BEANS (Espresso roast + Starbucks, Pike Place, Medium\u201cif available!)
1 litre of Oat Milk
1 litre of regular Cow Milk(at least 3,5% fat)
3 Cases of Still spring Water (24 x 0,5l bottles per case)
12 organic free range hard boiled eggs
1 jar organic avocado oil mayonnaise
4 organic ramen cups
6 Bottles of BIONADE natural soda
1 package organic blue berries
1 package of organic strawberries
1 l bottle of sparkling water
1 liter of organic heavy cream
1 package of organic cottage cheese
1 box ritz crackers
1 package of organic grass fed butter
1 Case of Good Quality Beer
2 x Cabernet Sauvignon Red Wine
12 x Coca Cola ZERO
6 x Coca Cola Classic
6 x Coca Cola Cherry<\/s>
6 x Dr.Pepper Zero
1 jar of sliced dill pickles (not sweet)
4 protein bars (2 gluten free, 2 regular)
1 bar of Gluten free Oriols
4 granola bars (GLUTEN FREE)
1 can of sardines
1 package of anchovies
1 package smoked salmon (only wild caught, no farm raised)
6 x vegetarian Sushi rolls
3 lb of sliced salami (soft)
2 lb of smoked sliced ham
1 lb deli sliced turkey
1 lb of deli sliced chicken breast
Ginger Shots
Turkey Jerky Sticks
1 box\/jar of Oatmeal (gluten free)
1 jar Dijon mustard (Colemans of England)
1 jar of organic peanut butter w\/ no canola oil
1 jar organic jelly or jam
1 box of quality organic gluten free chocolate chip cookies
1 veggie tray with hummus and vegan dip
3 packages of vegan slices
4 cans of vegan pate\u0301
1 package of vegan cream cheese
1 loaf whole grain\/whole wheat bread
1 loaf gluten free organic bread
Chewing Gums “Fresh mint” (no stripes)
1 large pack of baby wipes (natural)
1 package assorted plastic cuttlery
1 package of microwavable coffee cups with lids
1 tray of fresh assorted fruits:
5 bananas
5 oranges
5 apples
4 avocados
1 lemon<\/p>\n<\/div>\n<\/div>\n\n\n\n

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MONITOR MIXES<\/h4>\n<\/div>\n\n\n\n
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When not traveling with monitor tech.<\/p>\n\n\n\n

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Stage Right\/Right – Frank – Mix 1<\/p>\n<\/div>\n\n\n\n

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Center Vocal
Vocal SR
Vocal SR
Guitar SL
Kick In
Snare<\/p>\n\n\n\n

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Stage Right\/Center – Carl – Mix 2<\/p>\n<\/div>\n\n\n\n

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Center Vocal
Own Vox
Kick In
Snare
Bass DI only
Guitar SL<\/p>\n\n\n\n

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Stage Center – Jamey – Mix 3<\/p>\n<\/div>\n\n\n\n

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Center Vocal
Snare
Guitar SL<\/p>\n\n\n\n

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Stage Left\/Left – Wayne – Mix 4<\/p>\n<\/div>\n\n\n\n

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Center Vocal
Vocal SL
Kick in
Snare
HH
Guitar SL<\/p>\n\n\n\n

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Drum Fill – Matt – Mix 5<\/p>\n<\/div>\n\n\n\n

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Kick in – Please natural sound – Do not boost attack
Snare ?
Toms – equal not too loud
Roland 808 (Sampler)
Bass Sans Amp
Guitar SL
Center vocal<\/p>\n\n\n\n

Note: Drumfill is on the Left side of the drummer.<\/p>\n\n\n\n

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HW lEM – Matt – Mix 6\/7<\/p>\n<\/div>\n\n\n\n

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Kick out – Please natural sound – Do not boost attack
Snare
Toms
Roland 808 (Sampler)
Bass Sans Amp
Guitar SL
Center vocal<\/p>\n\n\n\n

Note: XLR feeds on the Right side of the drummer.<\/p>\n\n\n\n

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Side Fill SL and SR <\/p>\n<\/div>\n\n\n\n

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We don’t need sidefill.<\/p>\n\n\n\n

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Notes<\/p>\n<\/div>\n\n\n\n

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To avoid miscommunication experience:
Stage Left = left side of the stage from the point of view of a performer facing the audience.
Stage Right = right side of the stage from the point of view of a performer facing the audience.<\/p>\n\n\n\n

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<<< NO MONITORS FROM FOH >>>
No outputs available from our stageboxes.
3 Category 5e\/6a STP cables +1 spare (audio)
32 channels analog audio split.<\/p>\n\n\n\n

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Audio<\/p>\n<\/div>\n\n\n\n

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PA System<\/p>\n\n\n\n

The PA system needs to be at least 4 way active stereo, complete with processor \/ control at FOH position.
House mains shall be capable of 20 Hz to 20 KHz frequency response at SPL levels. The system must be capable of at least 115 dB (A weighted) continuous at FOH position with a maximum peak of 126 dB at FOH position.
No worries, I will adapt to local sound limits but I don\u2019t like the sound being squashed due to no headroom in the amps\/speakers.
The System processor will be available for any EQ, Timing or compression changes.
Sound pressure measurement should be located at ear height with the audience, and NOT 3 meters in the air.
L-R Line Array system with a proper front fills are preferred.
Provide front fills every 2m of performance stage area.<\/p>\n\n\n\n

All equipment needed to measure sound levels must be provided by the house\/promoter.<\/p>\n\n\n\n

Audio Desk<\/p>\n\n\n\n

We carry a Midas HD-96 FOH console with two Midas DL151 stage box.
The Audio desk will be located in a clean and secure mix position on the inside of the house with crash barriers.
Please no FOH audio mix position on a riser. Mix position are at the same horizontal level as the audience.
One Table: 2m x 1m, 1m height. Sturdy, sufficient width for the console, two laptops and other gear.
Two bar stool for the FOH audio, please.<\/p>\n\n\n\n

Front of House<\/p>\n\n\n\n

A reasonable amount of space is required at FOH to house FOH audio and lighting. 3m x 3m (10′ x 10′) space directly on the ground is needed for Audio.
Lighting 3m x 3m (10′ x 10′) directly behind FOH Audio, on a rider if possible.
The FOH has to be protected by Mojo type barriers on ALL sides.<\/p>\n\n\n\n

Multicore<\/p>\n\n\n\n

For Audio, we need four Category 5e\/6a SFTP not longer than 100 m (320 feet). No category cable type UTP please. STP with ethercon connectors.<\/p>\n\n\n\n

All cables leading from the stage to the FOH are to be protected by \u201cyellow jacket\u201d style cable protector bridges.
There must be no exposed cables anywhere that could be damaged<\/p>\n\n\n\n

FOH Distribution<\/p>\n\n\n\n

Direct drive to local processing PA drive lines come directly from our console at Front of House. AES3 drive lines are preferred.
Preferred drive chain is: Left, Right, Sub, Front Fill.
Using house console as line driver for the PA is not acceptable.
Any other zones can be controlled by local system processor.

Analog Splitter

We need 32 channels audio split. XLRs.<\/p>\n\n\n\n

Communication line<\/p>\n\n\n\n

2x Shoutboxes FOH and MON must be provided<\/p>\n\n\n\n

Monitor Desk<\/p>\n\n\n\n

A well maintained digital desk with at least 40 channels and a minimum of 9 mixes.<\/p>\n\n\n\n

Monitors <\/p>\n\n\n\n

Monitors must be separated from FOH.
We don’t need sidefills.
8 x Floor Wedges, 2 Way Active + 1 x Floor Wedge for cue
1 x Drumfill, min. 3 Way Active
1 x stereo fee for drummer. Shure P9HW Hardwired Stereo.<\/p>\n\n\n\n

Stage Patching<\/p>\n\n\n\n

Once inputs are patched and sound-checked, no input device is to be moved or disconnected. The multipin snakes may be disconnected from their stage boxes to patch other artists\u2019 stage boxes.
Stage boxes and cable can\u2019t be placed in front of the wall cabs and drum riser.
Stage boxes on the drum riser can be placed near the back corner SR of the riser only.
On top of front drum riser, no lights and no stage boxes.<\/p>\n\n\n\n

General Remarks<\/p>\n\n\n\n

There are four mixes across the front of the stage and one drum fill mix. A minimum of two bi-amped wedges is required per mix across the stage. All wedges MUST have sufficient power.
Drum fill need to be three way active and should consist a 15\u2033 bass unit and be large enough for your stage.
The artist will not share channels on the monitor desk.
Please refer to the stage plot for the monitor settings.<\/p>\n\n\n\n

Mic\u2019s, Stands, Cables \u2026<\/p>\n\n\n\n

We carry our own microphones, DIs and stands.
Be certain to have enough stage-boxes and XLRs cables for all the bands.<\/p>\n\n\n\n

Stage<\/p>\n\n\n\n

We carry a backdrop. We have different dimensions. Please provide an easy lift system.
We will assemble 2 screens\/stageframes (W \u00b12m x H \u00b12m x D \u00b10.5m) in front of the cab walls.<\/s>
We need one ROLLING riser 3 meters by 2 meters with a height of \u00b10.4 meters.<\/p>\n\n\n\n

Frequencies<\/p>\n\n\n\n

We\u2019re using wireless systems for two guitars and bass.
All three systems are Shure GLXD16+ (Self-Managed).
We have a Shure QLXD1 Wireless system with Shure58. (534 \u2013 598 MHz)<\/p>\n\n\n\n

Power<\/p>\n\n\n\n

All electrical connections have to be compliant with all local regulations.
Please provide AC box 220V 16A. Schuko, CEE 7\/4. German standard.
1 x upstage Right
1 x upstage Left
1 x Drum riser SL
1 x Monitor world
1 x FOH<\/p>\n\n\n\n

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Lighting<\/p>\n<\/div>\n\n\n\n

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LIGHT FESTIVAL \/ CLUB SHOWS<\/strong><\/p>\n\n\n\n

Light OP: Tommy Langner
+49 1577 15 80 666
Tommy.Langner@teamlicht.eu<\/p>\n\n\n\n

This lighting rider is geared for venues of 800 \u2013 1200 capacity. For smaller shows we can forego some requirements after consulting our lighting engineer. For bigger shows the setup should be scaled accordingly. If no consultation takes place, we assume that all requirements will be fulfilled as stated and fully operational.<\/p>\n\n\n\n

The promoter provides the complete local lighting system and crew at their own cost. All lighting equipment must be fully set up, patched and tested at artist arrival \/ load-in.<\/p>\n\n\n\n

We do not assume any liability for personal injuries or property damage caused by incorrect installation of technical equipment, improper rigging, low-quality fixtures or negligence of the promoter. All applicable safety regulations and standards must be followed at all times.<\/p>\n\n\n\n

Please do not hesitate to contact us in advance in case of any issues.<\/p>\n\n\n\n

A separate movable truss or jo-jo pipe (min. 10m) must be available for our backdrop.<\/p>\n\n\n\n

We travel with our own floor lighting setup.<\/strong><\/p>\n\n\n\n

Required from promoter\/local crew:
<\/strong>\u2022 1x 63A CEE (5-pin) power connection (Upstage Center) for floor package
\u2022 1x CAT5e \/ CAT6 line from stage to FOH for sACN (ArtNet as backup acceptable)<\/p>\n\n\n\n

 Same Position as Power Connection for our Data\/Power Rack<\/p>\n\n\n\n

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DESK<\/p>\n\n\n\n

We travel with our own lighting console:<\/strong>
Chamsys MQ500+
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This console will be exclusively used by our production.<\/p>\n\n\n\n

Please provide:
\u2022 FOH space min. 2.0m x 1.0m
\u2022 230V power supply
\u2022 clear line of sight to stage
\u2022 1x chair \/ bar stool<\/p>\n\n\n\n

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LOCAL LIGHTING<\/p>\n\n\n\n

The following equipment is required and must be provided by the promoter.<\/p>\n\n\n\n

Preferred fixture types (or equivalent):

\u2022 Movinglight Spot: Martin MAC Viper Profile XiP, Chauvet Maverick Storm 1 Flex
\u2022 Movinglight Beam: Robe MegaPointe, Clay Paky Sharpy Plus
\u2022 Movinglight Wash LED: Martin MAC Aura PXL, Chauvet Maverick MK3 Wash
\u2022 Strobe: Martin Atomic 3000 LED, Chauvet Strike M
\u2022 Blinder: 2ch \/ 4ch LED Molefay type<\/p>\n\n\n\n

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BACKTRUSS
\u2022 4x Movinglight Spot
\u2022 6x Movinglight Beam
\u2022 5x Movinglight Wash LED
\u2022 6x Strobe
\u2022 4x Blinder<\/p>\n\n\n\n

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MIDTRUSS 1
\u2022 4x Movinglight Spot
\u2022 5x Movinglight Beam
\u2022 8x Movinglight Wash LED
\u2022 6x Strobe
\u2022 6x Blinder<\/p>\n\n\n\n

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MIDTRUSS 2
\u2022 4x Movinglight Spot
\u2022 4x Movinglight Beam
\u2022 6x Movinglight Wash LED
\u2022 4x Strobe
\u2022 6x Blinder<\/p>\n\n\n\n

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FRONTTRUSS
\u2022 12x Blinder
\u2022 8-12x Movinglight Wash LED<\/p>\n\n\n\n

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FLOOR (ONLY IF NO BAND FLOOR PACKAGE IS PROVIDED)<\/p>\n\n\n\n

Please keep stage clean and free if we travel with own setup<\/p>\n\n\n\n

Minimum requirement:
\u2022 6x Movinglight Beam
\u2022 8x Blinder<\/p>\n\n\n\n

\u2022 each Side 4x Movinglight Wash LED<\/p>\n\n\n\n

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SFX
\u2022 2x Hazer with fan (mandatory)
\u2022 sufficient haze fluid<\/p>\n\n\n\n

Preferred:
MDG Atmosphere \/ ATMe or equivalent + external fan (e.g. Antari AF-3)<\/p>\n\n\n\n

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5.3 NETWORK \/ DMX<\/p>\n\n\n\n

\u2022 System must be fully patched before arrival
\u2022 sACN preferred (ArtNet acceptable)
\u2022 Minimum 2\u20134 DMX universes available
\u2022 Dedicated, stable network line (no shared FOH network)<\/p>\n\n\n\n

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5.4 SPECIAL EFFECTS  (TOURING)<\/p>\n\n\n\n

We travel with our own special effects package, which is an essential part of the show.<\/p>\n\n\n\n

Touring SFX equipment:
\u2022 4x Briteq PowerJet Mk2 (upright fogger \/ CO\u2082 simulation)
\u2022 4x Explo G2 (aerosol flame projectors)<\/p>\n\n\n\n

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GENERAL<\/p>\n\n\n\n

All SFX equipment is part of the touring production and will be integrated into the lighting system.<\/p>\n\n\n\n

If local regulations or venue restrictions prohibit the use of flame or fog effects, the units will remain unused. Any restrictions must be communicated in advance.<\/p>\n\n\n\n

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POWER & NETWORK & RESPONSIBILITY<\/p>\n\n\n\n

All setup, cabling, operation and supervision of the special effects are carried out exclusively by the band\u2019s crew (Hatebreed crew).<\/p>\n\n\n\n

The promoter is not responsible for operation of the effects.<\/p>\n\n\n\n

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SAFETY<\/p>\n\n\n\n

All effects are operated by qualified personnel only and in accordance with local laws and regulations.<\/p>\n\n\n\n

The following conditions must be met:<\/p>\n\n\n\n

\u2022 Safety zones must be kept clear at all times
\u2022 No flammable materials within effect range
\u2022 No low-hanging rigging, cables or decoration above effects
\u2022 Stage surface must be stable and even
\u2022 Fire extinguishers must be available on stage (SL & SR)<\/p>\n\n\n\n

Minimum safety distances (depending on configuration):<\/p>\n\n\n\n

Indoor use:
\u2022 min. 4m radial distance
\u2022 min. 4m vertical clearance<\/p>\n\n\n\n

Outdoor (gas \/ aerosol):
\u2022 min. 5\u20136m radial distance
\u2022 min. up to 6m vertical clearance<\/p>\n\n\n\n

Distance to audience barriers:
\u2022 minimum 2m \u2013 3m depending on setup<\/p>\n\n\n\n

Safety zones will be defined, marked and supervised by the SFX operator.<\/p>\n\n\n\n

Effects will only be triggered when all safety zones are confirmed clear.
The complete Band & Crew is instructed and supervised.<\/p>\n\n\n\n

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PROMOTER RESPONSIBILITIES<\/p>\n\n\n\n

\u2022 Ensure that flame effects are permitted by local authorities
\u2022 Inform venue management and fire safety officers
\u2022 Provide required fire safety equipment
\u2022 Ensure compliance with all local fire and safety regulations<\/p>\n\n\n\n

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IMPORTANT<\/p>\n\n\n\n

The special effects are a key visual element of the performance.<\/p>\n\n\n\n

Failure to provide required safety conditions, approvals or infrastructure may result in partial or complete cancellation of SFX usage.<\/p>\n\n\n\n

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6. STAGEPLOT <\/p>\n\n\n\n

We have different stage plots depending on stage size and show length.
Please contact tour management for the correct version.<\/p>\n\n\n\n

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Click to Download <\/a>Safety Documents <\/a>Package<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Plots & Pyro Safetys<\/p>\n<\/div>\n\n\n\n

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TEAMLICHT.EU
by NOVA event solutions
Inh. Thomas Langner<\/p>\n<\/div>\n<\/div>\n\n\n\n

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