<<< NO MONITORS FROM FOH >>>
No outputs available from our stageboxes.
3 Category 5e/6a STP cables +1 spare (audio)
32 channels analog audio split.

PA System

The PA system needs to be at least 4 way active stereo, complete with processor / control at FOH position.
House mains shall be capable of 20 Hz to 20 KHz frequency response at SPL levels. The system must be capable of at least 115 dB (A weighted) continuous at FOH position with a maximum peak of 126 dB at FOH position.
No worries, I will adapt to local sound limits but I don’t like the sound being squashed due to no headroom in the amps/speakers.
The System processor will be available for any EQ, Timing or compression changes.
Sound pressure measurement should be located at ear height with the audience, and NOT 3 meters in the air.
L-R Line Array system with a proper front fills are preferred.
Provide front fills every 2m of performance stage area.

All equipment needed to measure sound levels must be provided by the house/promoter.

Audio Desk

We carry a Midas HD-96 FOH console with two Midas DL151 stage box.
The Audio desk will be located in a clean and secure mix position on the inside of the house with crash barriers.
Please no FOH audio mix position on a riser. Mix position are at the same horizontal level as the audience.
One Table: 2m x 1m, 1m height. Sturdy, sufficient width for the console, two laptops and other gear.
Two bar stool for the FOH audio, please.

Front of House

A reasonable amount of space is required at FOH to house FOH audio and lighting. 3m x 3m (10′ x 10′) space directly on the ground is needed for Audio.
Lighting 3m x 3m (10′ x 10′) directly behind FOH Audio, on a rider if possible.
The FOH has to be protected by Mojo type barriers on ALL sides.

Multicore

For Audio, we need four Category 5e/6a SFTP not longer than 100 m (320 feet). No category cable type UTP please. STP with ethercon connectors.

All cables leading from the stage to the FOH are to be protected by “yellow jacket” style cable protector bridges.
There must be no exposed cables anywhere that could be damaged

FOH Distribution

Direct drive to local processing PA drive lines come directly from our console at Front of House. AES3 drive lines are preferred.
Preferred drive chain is: Left, Right, Sub, Front Fill.
Using house console as line driver for the PA is not acceptable.
Any other zones can be controlled by local system processor.

Analog Splitter

We need 32 channels audio split. XLRs.

Communication line

2x Shoutboxes FOH and MON must be provided

Monitor Desk

A well maintained digital desk with at least 40 channels and a minimum of 9 mixes.

Monitors

Monitors must be separated from FOH.
We don’t need sidefills.
8 x Floor Wedges, 2 Way Active + 1 x Floor Wedge for cue
1 x Drumfill, min. 3 Way Active
1 x stereo fee for drummer. Shure P9HW Hardwired Stereo.

Stage Patching

Once inputs are patched and sound-checked, no input device is to be moved or disconnected. The multipin snakes may be disconnected from their stage boxes to patch other artists’ stage boxes.
Stage boxes and cable can’t be placed in front of the wall cabs and drum riser.
Stage boxes on the drum riser can be placed near the back corner SR of the riser only.
On top of front drum riser, no lights and no stage boxes.

General Remarks

There are four mixes across the front of the stage and one drum fill mix. A minimum of two bi-amped wedges is required per mix across the stage. All wedges MUST have sufficient power.
Drum fill need to be three way active and should consist a 15″ bass unit and be large enough for your stage.
The artist will not share channels on the monitor desk.
Please refer to the stage plot for the monitor settings.

Mic’s, Stands, Cables …

We carry our own microphones, DIs and stands.
Be certain to have enough stage-boxes and XLRs cables for all the bands.

Stage

We carry a backdrop. We have different dimensions. Please provide an easy lift system.
We will assemble 2 screens/stageframes (W ±2m x H ±2m x D ±0.5m) in front of the cab walls.
We need one ROLLING riser 3 meters by 2 meters with a height of ±0.4 meters.

Frequencies

We’re using wireless systems for two guitars and bass.
All three systems are Shure GLXD16+ (Self-Managed).
We have a Shure QLXD1 Wireless system with Shure58. (534 – 598 MHz)

Power

All electrical connections have to be compliant with all local regulations.
Please provide AC box 220V 16A. Schuko, CEE 7/4. German standard.
1 x upstage Right
1 x upstage Left
1 x Drum riser SL
1 x Monitor world
1 x FOH

LIGHT FESTIVAL / CLUB SHOWS

Light OP: Tommy Langner
+49 1577 15 80 666
Tommy.Langner@teamlicht.eu

This lighting rider is geared for venues of 800 – 1200 capacity. For smaller shows we can forego some requirements after consulting our lighting engineer. For bigger shows the setup should be scaled accordingly. If no consultation takes place, we assume that all requirements will be fulfilled as stated and fully operational.

The promoter provides the complete local lighting system and crew at their own cost. All lighting equipment must be fully set up, patched and tested at artist arrival / load-in.

We do not assume any liability for personal injuries or property damage caused by incorrect installation of technical equipment, improper rigging, low-quality fixtures or negligence of the promoter. All applicable safety regulations and standards must be followed at all times.

Please do not hesitate to contact us in advance in case of any issues.

A separate movable truss or jo-jo pipe (min. 10m) must be available for our backdrop.

We travel with our own floor lighting setup.

Required from promoter/local crew:
• 1x 63A CEE (5-pin) power connection (Upstage Center) for floor package
• 1x CAT5e / CAT6 line from stage to FOH for sACN (ArtNet as backup acceptable)

 Same Position as Power Connection for our Data/Power Rack

DESK

We travel with our own lighting console:
Chamsys MQ500+

This console will be exclusively used by our production.

Please provide:
• FOH space min. 2.0m x 1.0m
• 230V power supply
• clear line of sight to stage
• 1x chair / bar stool

LOCAL LIGHTING

The following equipment is required and must be provided by the promoter.

Preferred fixture types (or equivalent):

• Movinglight Spot: Martin MAC Viper Profile XiP, Chauvet Maverick Storm 1 Flex
• Movinglight Beam: Robe MegaPointe, Clay Paky Sharpy Plus
• Movinglight Wash LED: Martin MAC Aura PXL, Chauvet Maverick MK3 Wash
• Strobe: Martin Atomic 3000 LED, Chauvet Strike M
• Blinder: 2ch / 4ch LED Molefay type

BACKTRUSS
• 4x Movinglight Spot
• 6x Movinglight Beam
• 5x Movinglight Wash LED
• 6x Strobe
• 4x Blinder

MIDTRUSS 1
• 4x Movinglight Spot
• 5x Movinglight Beam
• 8x Movinglight Wash LED
• 6x Strobe
• 6x Blinder

MIDTRUSS 2
• 4x Movinglight Spot
• 4x Movinglight Beam
• 6x Movinglight Wash LED
• 4x Strobe
• 6x Blinder

FRONTTRUSS
• 12x Blinder
• 8-12x Movinglight Wash LED

FLOOR (ONLY IF NO BAND FLOOR PACKAGE IS PROVIDED)

Please keep stage clean and free if we travel with own setup

Minimum requirement:
• 6x Movinglight Beam
• 8x Blinder

• each Side 4x Movinglight Wash LED

SFX
• 2x Hazer with fan (mandatory)
• sufficient haze fluid

Preferred:
MDG Atmosphere / ATMe or equivalent + external fan (e.g. Antari AF-3)

5.3 NETWORK / DMX

• System must be fully patched before arrival
• sACN preferred (ArtNet acceptable)
• Minimum 2–4 DMX universes available
• Dedicated, stable network line (no shared FOH network)

5.4 SPECIAL EFFECTS  (TOURING)

We travel with our own special effects package, which is an essential part of the show.

Touring SFX equipment:
• 4x Briteq PowerJet Mk2 (upright fogger / CO₂ simulation)
• 4x Explo G2 (aerosol flame projectors)

GENERAL

All SFX equipment is part of the touring production and will be integrated into the lighting system.

If local regulations or venue restrictions prohibit the use of flame or fog effects, the units will remain unused. Any restrictions must be communicated in advance.

POWER & NETWORK & RESPONSIBILITY

All setup, cabling, operation and supervision of the special effects are carried out exclusively by the band’s crew (Hatebreed crew).

The promoter is not responsible for operation of the effects.

SAFETY

All effects are operated by qualified personnel only and in accordance with local laws and regulations.

The following conditions must be met:

• Safety zones must be kept clear at all times
• No flammable materials within effect range
• No low-hanging rigging, cables or decoration above effects
• Stage surface must be stable and even
• Fire extinguishers must be available on stage (SL & SR)

Minimum safety distances (depending on configuration):

Indoor use:
• min. 4m radial distance
• min. 4m vertical clearance

Outdoor (gas / aerosol):
• min. 5–6m radial distance
• min. up to 6m vertical clearance

Distance to audience barriers:
• minimum 2m – 3m depending on setup

Safety zones will be defined, marked and supervised by the SFX operator.

Effects will only be triggered when all safety zones are confirmed clear.
The complete Band & Crew is instructed and supervised.

PROMOTER RESPONSIBILITIES

• Ensure that flame effects are permitted by local authorities
• Inform venue management and fire safety officers
• Provide required fire safety equipment
• Ensure compliance with all local fire and safety regulations

IMPORTANT

The special effects are a key visual element of the performance.

Failure to provide required safety conditions, approvals or infrastructure may result in partial or complete cancellation of SFX usage.

6. STAGEPLOT

We have different stage plots depending on stage size and show length.
Please contact tour management for the correct version.

Click to Download Safety Documents Package

TEAMLICHT.EU
by NOVA event solutions
Inh. Thomas Langner

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